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Official Nobel Peace Prize Concert Videos Follow the Nobel Peace Prize Concert on: TWITTER: 🤍 FACEBOOK: 🤍 INSTAGRAM: 🤍 #nobelpeaceprizeconcert #nppc #peaceisloud Copyright Warner Bros. / Gyro 🤍 🤍
A Rendition of Classical Instrumental Fusion Music | Raag Bihag | Indian Classical Music - B. Sivaramakrishna Rao - Healing Ragas #hindustaniclassicalraga #classicalmusic #musicinstrumental #instrumentalraga #indianclassicalmusic #fuisonmusic #ragabehag
This extract is taken from a concert organised by An Lanntair, an award-winning arts centre in Stornoway, Outer Hebrides. The concert was part of Purvai 2016, 🤍 and featured Roopa Panear on Sitar and Dalbir Singh Rattan on Tabla. This is the finale of the performance, Raag Bhairavi. Sound Engineer - Mike Adkins Sound Editing: Peter Fletcher Video Editing: Darren Tiffney Visit 🤍saa-uk.org to learn more about our innovative programme of learning and performance of South Asian Music and Dance. twitter 🤍southasianartuk
Raga bhupali Flute Indian classical flute music for relaxation meditation yoga Another beautiful raga this time called raga Bhupali Please see my other videos raga guitar tabla 🤍 and evening raga 🤍 The tune of raga bhupali captures the calmness of nature and transmits beautiful vibrations to the listener. Therefore raga bhupali enhances restfulness, and perfect for meditation For more information on ragas check link 🤍 🤍 #raagbhupali #eveningraag #indianflutemusic Artist: Shuvajit Sengupta Image used under licence from Shutterstock.com
🙏🙏SUBSCRIBE NOW.. 🙏🙏 MOST RECOMMENDED 👇👇👇 RAAG AHIR BHAIRAVA 🤍 ..........ALL WE NEED YOUR LOVE......... Artist - Manish Vyas and Bikramjit Singh Raga Yaman is a night raga which is very romantic in nature. This raga is often taught to beginners in Hindustani music. Some say its origin is from the Persian mode "Ei'man" from which "Yaman" originated. Others say it has Vedic origins as Raga Yamuna which over time altered as Yaman. This raga is also called Kalyan or Yaman-Kalyan. The raga has all shuddha swars except for the tivra Ma. It is this note which gives the raga its distinctive quality of peace, and tranquility. Some modernists consider Yaman, Yaman-Kalyan, and Kalyan to be one raga and only traditionalists consider these as three distinct ragas. Raga Yaman Best In Flute | Healing Raga, Sleep and Beyond (Mandala) Aaroha: 'N R G M D N S' Avaroha: S' N D P M G R S Pakad: 'N R G M P, R G R, 'N R S Thaat: Kalyan Prahar: Late Evening Alaap: 1. 'N R G, R S - , 'N R G M G - , G M P - , M G - , R G R S - 2. 'N R S - , S 'N 'D 'P - , 'M 'D 'N R G - , G M G - , P M G R S - 3. 'N R G M P - , M D N D P - , M D N S' - , S' N D P - , N D P - , M G - , R G - , R S - 4. G M D N S' - , N R' S' - , S' N D P - , M D N S - 5. M D N R' S' - , N R' G' - R' S' - , S' N D P - , M D N - , M D N R' S' - 6. G M D N R' S' - , N R' G' - , R' S' - , N R' M' G' R' G' R' S' - , S' N' D' P' - , M D N S #RAGA #HEALING #MUSIC NOTE:- Copyright owner Tune core On behalf of: Manish Vyas
Nusrat Fetah ali khan best perfomance
Pandit Rakesh Chaurasia presenting Raag Bageshri accompainied by ustaad Zakir Hussain on Tabla. Copyrights 🤍Savani Events Do not upload audio / video of any part on any platform without permission.
#darbarfestival #Bhimpalasi #Kaushiki Kaushiki Chakraborty sings the romantic afternoon Raag Bhimpalasi, showcasing the ornaments and rapid-fire melodies of her Patiala khayal gharana. Learn more about the music: Kaushiki’s virtuoso technique is the result of years of intense training, primarily from her esteemed father Pandit Ajoy Chakraborty. She hails from the Patiala gharana, known for a strong Islamic influence and elaborate ornamentation when singing taan [fast improvised melodies]. She describes her approach: “It’s all in the mind. One has to mentally align oneself to the form...My training has taught me two approaches to music – to do music and or to become it. The latter gives you the fluidity to transcend form and become one with it.” Milind Kulkarni, also featured, is a modern exponent of Hindustani classical harmonium. Starting at the age of seven, he learned fast under the tutelage of successive gurus - Vasantrao Gurav, Anna Diwan, and Pramod Marathe. He still studies under the latter, and also receives accompaniment instruction from leading non-harmonium artists too, including vocalist Ulhas Kashalkar and tabla maestro Suresh Talwalkar. Bhimpalasi is an afternoon raga, said to evoke sringara [attraction, romantic love]. It uses the notes of Kafi thaat, with an aroha [ascent] of nSgmPnS and an avroh [descent] of SnDPmgRS. Characteristically, Dha and Re only appear in the descending line, and are approached from the notes above. Ma is the vadi [king note]. The raga uses the notes of the Western Dorian mode, and the closest Carnatic raga is Abheri. Hear a playlist of Bhimpalasi performances here: 🤍 Watch more Kaushiki's performances for FREE: - Amazing Puriya Kalyan | Kaushiki Chakraborty | 🤍 Performed for Darbar Festival on 20 Sep 2015, at London’s Queen Elizabeth Hall -Kaushiki Chakraborty (khayal vocals) -Satyajit Talwalkar (tabla) -Milind Kulkarni (harmonium) -Ranjana Ghatak & Gunwant Dhadyalla (tanpuras) WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - 🤍 Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately. - Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - 🤍 - Aruna Sairam full concert (108 minutes) - 🤍 - Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - 🤍 - Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - 🤍 - Pandit Venkatesh Kumar full concert (93 minutes) - 🤍 The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless. You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Click 🤍 to start your free no-obligation 3-day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 All Rights Reserved ©2022 Darbar Arts Culture Heritage Trust
Vidushi Kaushiki Chakraborty presenting Raag Megh at Malhar Concert organized by SAVANI. She's accompanied by the tabla maestro Shri Satyajit Talwalkar and Shri Milind Kulkarni on Harmonium. Copyrights 🤍SavaniEvents 2016 Please do not upload any part in audio /video form on any platform without permission.
Late Pandit Bhimsen Gururaj Joshi was an Indian vocalist from Karnataka in the Hindustani classical tradition. He is known for the khayal form of singing, as well as for his popular renditions of devotional music. Raag Bhairav is a Hindustani Classical heptatonic (Sampurna) Raga of Bhairav Thaat. Traditionally it is a morning raga. Bhairav is considered to be the most ancient fundamental Raag of Hindustani Classical Music. Also, it is believed that Bhairav was the very first Raag to be created by Lord Shiva. This raga is being used in worship by Hindus in their religious imagination of “Lord Shiva and Parvati”. Bhimsen Joshi was awarded the Sangeet Natak Akademi Fellowship in 1998, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Subsequently, he received the Bharat Ratna, India's highest civilian honour, in 2009. He made a career in Hindustani classical music, devotional music, patriotic music and playback singing. Bhimsen Joshi was known for his powerful voice, amazing breath control, fine musical sensibility and unwavering grasp of the fundamentals. He died in 2011, aged 88, in Pune, Maharashtra. Joshi first performed live in 1941 at the age 19. His debut album, containing a few devotional songs in Marathi and Hindi, was released in 1942. Subscribe Music Today channel for unlimited entertainment 🤍
A large part of Indian classical music involves improvisation by exploring the raag, or melodic scale. Here we present Maa Anugraha, one of Isha Samskriti's senior Hindustani music students, exploring raag Yaman through an improvisation technique known as "taan." Taan is the weaving of notes together in a fast tempo. This is done completely on the spot, and is not pre-composed. Raag Yaman is traditionally sung in the early evenings, and conveys a mood that is calm and peaceful, while at the same time full of life.
Band : Cryptic Fate Album : Danob Lyric : Chowdhury F Shakib Tune : Nazrul Label : G Series
#darbarfestival #sitar #tabla #niladri Sitarist Niladri Kumar plays Mishra Bhairavi, named for the goddess of destruction, replete with chromaticism, double-stops, and extraordinary string bends. Learn more about the music Niladri Kumar is known for his expansive modern sitar style, stretching the boundaries of classical music. Trained under his father, a disciple of Ravi Shankar, he was recognised as a prodigy. He has since developed an extraordinary technical command of his instrument, complete with dextrous double stops, whispering string bends, and rapid taans [fast improvised lines]. He makes forays into film composition and is the inventor of the ‘zitar’ - a curious hybrid of electric guitar and sitar. Today he tours extensively with Zakir Hussain’s groups as well as a solo artist. “In Harry Potter, there’s a wand choosing scene where the wand and its user need to have a connect. The sitar too broadly works in a similar style. Only after the instrument and the artiste warm up to each other, the musical spark begins and the magic starts to flow.” (Niladri Kumar) Bhairavi is often described as the ‘queen of rāgas’. It takes its name from the Hindu goddess of destruction, and conjures versatile moods. To some it can evoke ‘awe, terror, and chaos’; to others ‘a pleasant sobering atmosphere of love and piety’. It is played at sunrise, or alternatively as the final piece in a concert. Understanding the raga in depth is crucial to Hindustani learning - bansuri master Rupak Kulkarni recounts the approach of his guru Hariprasad Chaurasia: “Guruji taught me Raag Bhairavi for five years. When I complained about the repetition, he said: ‘You have to practice Bhairavi until your last breath’. That is what made me realize what swarabhyas [the study of notes] means”. It is based on the form SrgmPdnS - all swaras [notes] are komal [flattened] except Sa, Ma, and Pa, like the Western Phrygian scale or Carnatic Raga Hanumatodi. The vadi and samvadi [king and queen notes] are typically taken to be Ma and Sa. The raga commonly takes a versatile mishra (‘mixed’) form - all 12 notes are allowed, thus injecting some comparatively rare chromaticism into Hindustani music. Its flexibility is unmatched in the raga pantheon. Recorded for Darbar on 21 Sep 2014, at London’s Southbank Centre -Niladri Kumar (sitar) -Subhankar Banerjee (tabla) WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - 🤍 Here are some links to our most-watched full-length videos. - Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - 🤍 - Aruna Sairam full concert (108 minutes) - 🤍 - Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - 🤍 - Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - 🤍 - Pandit Venkatesh Kumar full concert (93 minutes) - 🤍 The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless. We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
MERU Concert live - A soulful devotional bhajan in raga Bhairavi performed by Kaushiki Chakrabarty with Soumik Datta on Sarod and Pt. Vijay Ghate on tabla; Paromita Mukherji on harmonium and Allarakha Yaminkhan on sarangi - 21 July 2013 at Oranjerie Theater in Roermond, The Netherlands.
#parveen #hamsadhwani #indianclassicalvocal Upon the request of Pandit Vishwa Mohan Bhatt, who was also part of the Darbar 2007 line-up, Begum Parveen Sultana embarks upon this beautiful tarana in Raag Hamsadhwani. After a captivating alaap establishing the raga in all four octaves, Begum Sultana begins the tarana, embellishing it with alluring phrases and combinations. Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –🤍 You can start your free no-obligation trial of the Darbar Concert Hall and watch the full performance today. Click here and sign up for a no-obligation 3-day trial and watch the full-length version of this video now at - 🤍 You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - 🤍 Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately. - Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - 🤍 - Aruna Sairam full concert (108 minutes) - 🤍 - Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - 🤍 - Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - 🤍 - Pandit Venkatesh Kumar full concert (93 minutes) - 🤍 The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless. You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Click 🤍 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 Learn more about the music: Hamsadhwani is a Carnatic import into the Hindustani system of ragas. It is an upanga janya of the 29th melakarta Dhirasankarabharana. It is an audav raga. The swaras present in this raga are ṣaḍja, chatusrutii riṣabha, antara gandhara, pachama, kakali nisaddha. Its arohana and avarohaṇa are S R2 G3 P N3 Ṡ - Ṡ N3 P G3 R2 S. In Western music notation, if C is taken as the base or tonic note, then the scale is C D E G B C - C B G E D C This raga was created by Ramaswami Dikṣhitar, who was the father of one among the trinity of Carnatic music, Muttuswami Dikṣitar. It is a rakti raga or a raga which pleases instantaneously. It offers ample scope for improvisation. It is considered as an auspicious raga and is well-suited as a minor raga in a concert. It gives rise to Nagasvaravaḷi from panchama through the process of grahabheda or modal shift of tonic. Risabhaa, gandhara and nisadha are ragachaya swaras. All the swaras are nyasa swaras. G-N are vadi-samvadi. It can portray rasas adbhuta (wonder), vira (valour) very effectively, just as it can convey the feeling of devotion or bhakti bhava. Musicians: Begum Parveen Sultana (Patiala gharana) Partha Sarathi Mukherjee (Tabla) Chiranjib Chakraborty (Harmonium) Gunwant Dhadyalla (Tanpura) Nina Burmi (Tanpura) Ranjana Ghatak (Tanpura) Debipriya Das (Support) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust
Hey everyone We are very excited to cover the biggest love anthem of the year - "Kesariya". Its such a beautiful song and this is our take on the song and hope you all like it. Enjoy and Share Please do listen & follow us on SPOTIFY- 🤍 Raag Band Vocals - Pratap & Reshma Shyam Music Production - Soorya Electric Guitar - Bhairab Drums - Rahul Bass - Mohammed Shoaib Acoustic guitar - Hrday Sunil Percussion - Mangesh Nadkarni Sound Engineer - Prabhu Jerry Pre-mixed by - Nikk N Mixed & Mastered by - Ishit Kuberkar Recorded Studio - Le music Studio | Unison Recording Company Video Credits Direction - Soorya Cinematography - SJ Subash & Prathish Anand Asst. Cameraman - R.Srinivasan / Sivamani Bala Edit & Graded | Poster Design by - SJ Subash Sound & Tech - Sound Station | Srikar Location - Sasi Studio Capture Lounge Makeup - Divya KB | Roshini S Digitally Powered By : JS DIGITAL ( 🤍 ) Online Promotion : Sachin Saraiya ( 🤍 ) Follow Raag Band On : Instagram - 🤍 Facebook - 🤍 Follow : Reshma Shyam Instagram - 🤍 Youtube - 🤍 For Bookings Contact - +917550238681 Email ID - raagtheband03🤍gmail.com Venue - Picture Productions India Pvt Ltd Original Song Credits ► Song name - Kesariya ► Movie - Brahmastra ► Composer - Pritam ► Singer - Arijit Singh ► Lyricist - Amitabh Bhattacharya Video link - 🤍 We do not own the audio of this track.This is a cover version no copyright infringement. #kesariya #brahmastra #amitabhbachchan #ranbirkapoor #aliabhatt #arijitsingh #pritam #ayanmukerji #amitabhbhattacharya #raagband
#darbarfestival Ustad Shahid Parvez showcases some fascinating rhythmic-melodic interplay (‘layakari’), stretching and compressing Yaman’s melodies over the 16-beat tintal cycle. Learn more about the music: Musically, Shahid Parvez Khan does not compromise. He is totally dedicated to the sitar, upholding the illustrious traditions of his ancestors while expanding the instrument’s technical boundaries. Critics back in India have described him as ‘Indian music personified’. Born into the legendary Imdadkhani gharana of Uttar Pradesh, he was always expected to carry the family legacy forward. His ancestors gave shape to the modern sitar, redesigning it and formulating the now-distinctive gayaki ang [singing style]. The Khan family includes pioneers such as his uncle Vilayat and his grandfather Imdad, who in 1904 became the first recorded sitarist. His early training was famously demanding. He had to practice for the majority of his waking life, rarely playing outside or socialising with his peers. His father Aziz did not believe in praise, and avoided smiling at his son’s accomplishments despite widespread acclaim as a prodigy. For many the extreme discipline may have poisoned the music, but not for Shahid, who says “my involvement in music is so much that I do not think of anything else...I do not believe I can live a better life.” Today he sits at the pinnacle of Hindustani music, touring widely while also finding time to teach at his eponymous SPK Academy in Arizona (“I do not teach for money - it is my passion”). Ojas Adhiya combines extraordinary technical aptitude with a vast knowledge base, playing with a fluency that belies his years. Born in a small Maharashtra village, he was drawn to the tabla from infancy, experimenting with the instrument at the age of two. He taught himself keherwa taal soon afterwards, shocking his father when he first overheard him. Here they play a madhya laya gat in Teental [medium tempo 16-beats] in Raag Yaman. Recorded at Darbar Festival on Sun 28 Oct 2018, at London’s Barbican Centre: -Ustad Shahid Parvez (sitar) -Ojas Adhiya (tabla) WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - 🤍 Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately. - Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - 🤍 - Aruna Sairam full concert (108 minutes) - 🤍 - Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - 🤍 - Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - 🤍 - Pandit Venkatesh Kumar full concert (93 minutes) - 🤍 The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless. You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine. In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Click 🤍 to start your free no-obligation 3-day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 All Rights Reserved ©2022 Darbar Arts Culture Heritage Trust
Yo sahar- It's a Rap song written and performed by Raag Link to Original Song: 🤍 • Prajina - Yo Sahar Original Song By: Prajina 🤍prajina Youtube: 🤍 🤍prajina Instagram: 🤍 Original Production By: Nepsek Youtube: 🤍 Instagram: 🤍 & Ronim: Youtube: 🤍 Instagram: 🤍 Re-Prod: 🤍THE977Beats 🤍 Mix masterd by; Sabein Thakuri Find him on YouTube; 🤍 No copyright infringement intended. DISCLAIMER: I don't own the COPYRIGHT of the Music. This song is purely for entertainment purposes only. Sec. 107 of Copyright Act. 1979 allow these materials for fair use. Music belong to the rightful owners.
Tansen is known as the 'Sangeet Samrat' - meaning 'the Monarch of Indian Music' who holds the most distinguished position in the arena of Indian cultural tradition. He was the foremost musician of the Royal Court of Akbar. Known to have created many ragas, which now hold prominent position in Hindustani music, Tansen left a treasure-house of music for the world. This album features seven tracks in the voice of Ustad Rashid Khan, Meeta Pandit, Nirmalya Dey and the legendary Pandit Ajoy Chakrabarty. Track: Raga Lalit Artiste: Rashid Khan Music Label: 2003 Living Media India Ltd. Track: Raga Bilashkhani Todi Artiste: Meeta Pandit Music Label: 2003 Living Media India Ltd. Track: Raga Miyan Ki Todi Artiste: Nirmalya Dey Music Label: 2003 Living Media India Ltd. Track: Raga Deskar Artiste: Ajoy Chakraborty Music Label: 2003 Living Media India Ltd. Track: Raga Poorbi Artiste: Ajoy Chakraborty Music Label: 2003 Living Media India Ltd. Track: Raga Bageshree Artiste: Nirmalya Dey Music Label: 2003 Living Media India Ltd. Track: Raga Kedar Artiste: Rashid Khan Music Label: 2003 Living Media India Ltd. Enjoy and stay connected! Subscribe Music Today channel for unlimited entertainment 🤍
A late evening raag with a wonderful devotional mood ! Perfect for meditation ! I love it so much I had to upload this masterpiece ! ...
Raag Darbari Flute: Pt. Rajendra Prasanna Tabla: Debajyoti Dasgupta
Bazm e Khas presents Raag Gaud Sarang played by Arnab Chakroborty on sarod accompanied by Zuhaib Ahmed on tabla. Credits: Sarod : Arnab Chakroborty Tabla: Zuhaib Ahmed About Artist: Arnab Chakrabarty is a Hindustani Classical Musician and a fantastic Sarod player. His tutelage commenced under the Sarod exponent Brij Narayan of the Seniya Maihar Gharana. He subsequently trained under Pandit Buddhadev Das Gupta of the Shahjahanpur Gharana. Arnab's early training followed the Maihar and Shahjahanpur schools, which both derived from the Senia idiom founded by the legendary Miyan Tansen. However, he has long been influenced by the vocalism-inspired style of the Etawah Gharana. Arnab has had several significant concerts. He made his solo debut in 1994 and won the National Collegiate Competition for Music and Dance three years in a row between 1995 and 1997. In 1999 he performed before Dr Kofi Annan, then the United Nations Secretary-General, a memorial programme for the Pakistani peace activist Eqbal Ahmed. About Raag Gaud Sarang: Raag Gaud Sarang is a popular and beautiful raga in Indian classical music. It is a member of the Sarang family of ragas and is often performed in the evening or late night. The raga is characterized by a deep and soulful mood and is known for its use of long and sustained notes. It is often played with a slow and steady tempo, allowing the notes to resonate and create a meditative atmosphere. The notes of Raag Gaud Sarang are derived from the Kalyan thaat and typically include the following: Sa, Re, Ma, Pa, and Dha. In some variations of the raga, the Ga and Ni notes may also be included. One of the distinctive features of Raag Gaud Sarang is the use of a microtonal interval, known as the Komal Gandhar. This note, which is lower than the standard Ga, is often played with a slight oscillation or vibrato, adding to the emotional intensity of the raga. Overall, Raag Gaud Sarang is a raga that is often chosen by musicians to express deep emotions and to create a contemplative and introspective mood. Its use of long, sustained notes and the inclusion of the Komal Gandhar make it a beautiful and memorable raga that is loved by many fans of Indian classical music. This baithak was held at the initiative of Ved Gupta founder of bazm e Khas foundation live concerts. The idea behind this upload is to preserve this great treasure of live music produced by BeK for all the music lovers and students of Hindustani music. Hit like and subscribe to this channel and press bell icon to get notified for more updates Enjoy & stay connected with us! 👉 Subscribe to Bazm e khas : 🤍 👉 Like us on Facebook : 🤍 👉 Follow us on Instagram: 🤍 👉 Follow us on Amazon music: 🤍 👉 Follow us on Spotify: 🤍 👉 Follow us on Gaana: 🤍 👉 Follow us on JioSaavn: 🤍
Very important tips for create alap of any raag and song |je kono ganer alap toiri korun | id=com.soundcorset.client.android Mail ID : babli1982sargam🤍gmail.com Facebook : 🤍 Instagram: 🤍 Telegram channel link: 🤍 Watch playlist folk song: 🤍 Original songs: 🤍 Cover songs: 🤍 dlFmLkjDOp7eMOgFMP Riyaz for younger students: 🤍 Raag Yaman:🤍 Early morning riyaz: 🤍 #bablibiswas #musiclessons
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Friday, 11 th December/ 7 pm
SIDDHANT SANGEET MAHAVIDYALAYA For Offline Classes, Call or Whats App on +91 7777050559 For Online Classes, Only Whats App on +91 9953107615 Instagram - 🤍 Facebook Page - 🤍 Twitter :- 🤍 Website :- 🤍 Raag Bhupali Introduction Tutorial 🤍 How To Practise Murki ? Explained In Details (Music Ornamentations) Tutorial #32 By Siddhant Pruthi 🤍 How To Practise Khatka ? Explained In Detalis (Music Ornamentations) Tutorial #31 By Siddhant Pruthi 🤍 How To Practise Meend ? Explained In Details (Music Ornamentations) Tutorial #30 By Siddhant Pruthi 🤍 Raag Marwa Introduction Tutorial #52 By Siddhant Pruthi 🤍 "Albela Sajan" Raag Ahir Bhairav Chhota Khayal Tutorial #50 🤍 Raag Ahir Bhairav Swar Vistar Tutorial #49 By 🤍 Raag Ahir Bhairav Swar Vistar Notes 🤍 Raag Bhimpalasi Chhota Khayal Or Bandish Tutorial #46 🤍 Raag Bhimpalasi Swar Vistar Notes 🤍 Raag Bhimpalasi Introduction Tutorial #44 🤍 What Is Teen Taal Tutorial ? 🤍 WHAT IS MEEND , KHATKA , MURKI & GAMAK ? 🤍 Indian Classical Vocal Music Basic Theory Tutorial #1 🤍 Indian Classical Vocal Music Basic Theory Tutorial #2 Part-1 🤍 Indian Classical Vocal Music Basic Theory Tutorial #2 Part-2 🤍 Indian Classical Vocal Music Basic Theory Tutorial #2 Part-3 🤍 Alankaar Practise 🤍 Advance Alankaar Practise 🤍 What Is Teen Taal Tutorial ? 🤍 Website :- 🤍 Raag Bhairavi Chhota Khayal Or Bandish 🤍 Raag Bhairavi Swar Vistar Or Chalan 🤍 Raag Bhairavi Introduction Tutorial #39 By Siddhant Pruthi 🤍 Raag Bihag Chhota Khayal Or Bandish 🤍 Raag Bihag Swar Vistar Or Chalan 🤍 Raag Bihag Swar Vistar or Chalan Notes 🤍 Raag Bihag Introduction (Basic Knowledge) Tutorial #35 By Siddhant Pruthi 🤍 Alankar Practise Advance & Challenging Tutorial #34 Part-1 By Siddhant Pruthi 🤍 Visit to my Facebook Page 🤍 Raag Darbari Kanhada Introduction 🤍 Raag Darbari Kanhada Swar Vistaar 🤍 Raag Darbari Kanhada Chhota Khayal 🤍 How To Practise Khatka ? 🤍 How To Practise Meend ? 🤍 How To Start Your Singing Practise ? 🤍 Raag Malkauns Introduction Tutorial 🤍 Raag Malkauns swar Vistar Or Chalan Tutorial 🤍 Raag malkauns Chhota Khayal Or bandish Tutorial 🤍 Raag Malkauns Alaap , Taan Tutorial 🤍 Raag Bhairav Introduction Tutorial 🤍 Raag Bhairav Swar Vistar Or Chalan Tutorial 🤍 Raag Bhairav Chhota Khayal Or Bandish Tutorial 🤍 Raag Bhairav Alaap , Taan Ttutorial 🤍 Raag Yaman Introduction Tutorial 🤍 Raag Yaman Swar Vistar Or Chalan 🤍 Raag Yaman Sargam Geet Tutorial 🤍 Raag Yaman Chhota Khayal Or Bandish 🤍 Raag Yaman Alaap , Taan Tutorial 🤍 #SiddhantPruthi #RiyazWithVideo #VocalTutorials
✅ SaReGaMa Carvaan - 🤍 ✔️5000+ CLASSICAL Songs ✔️ FM. Bluetooth, AUX - Plug & Play your MUSICAL INSTRUMENT ✔️ CLASSICAL Look . . SUBSCRIBE | LIKE | SHARE 𝐁𝐮𝐲 𝐁𝐞𝐬𝐭 𝐁𝐚𝐦𝐛𝐨𝐨 𝐅𝐥𝐮𝐭𝐞/ 𝐁𝐚𝐧𝐬𝐮𝐫𝐢 Bansuri played by Maestros like Pt. Hariprasad Chaurasia, Rakesh Chaurasia, Pt. Ronu Majumdar Concert Standard E Scale Natural Base - 🤍 C Scale Natural Medium - 🤍 G Scale Natural Base -🤍 D Scale Natural Medium - 🤍 𝗕𝗲𝘀𝘁 𝗪𝗲𝘀𝘁𝗲𝗿𝗻 𝗙𝗹𝘂𝘁𝗲𝘀 Yamaha - 🤍 Jupiter - 🤍 Practice Your Music with these Digital Tanpuras + Tabla Radel - 🤍 Sound Labs - 🤍 Books for Music - Get Started with Indian Classical Music 🤍 The Ultimate Riyaaz Book 🤍 Get into History of Indian Classical music 🤍
Raag Darbari Sargam Performers: Surendra, Bharat Bhushan Singer: Ustad Amir Khan Music: Naushad Lyrics: Shakeel Badayuni Film: Baiju Bawra, 1952 Cast: Bharat Bushan, Meena Kumari, Surendra, Kuldip Kaur, Bipin Gupta, Manmohan Krishna, B.M. Vyas Baiju is intent on killing Tansen but the beauty of Tansen's music causes him to change his mind. Watch the complete film here: 🤍
Yaman Raag is the most hailing raag. Singers: Urmilla Gupta Sushma Lal Rangita Patel Veena Acharya Kusum Bagla Prajakta Hate Sharmila Garde Musicians: Keyboard - Alkesh Ranga Tabla - Ayub Khan Sitar - Altaf Khan Special Thanks: Amey Londhe Videography: Sampurna Graphics
ENJOY!!!! Lyrics.. Raag ivva dheyname hithuge mi haal Bunibahakun loabi hazaar Huttun nethi karuna mihaar Barubaadhuve dhiya iru haalu (Dewin) Visna mage haaluga jessi nala raageke visnin mi hayaathuga gislaa rovi aahuga hiyydhathikan vedhaairu heyri mi karunuga ulhevi handhaanuga filuvaa nulevune hurevi mi haaluga umuruvi beykaar kurevi thiyaal ga dhuniyein beyzaar hiyyvaru mage dhoovegen olhi magu dhevuney ivva mi kiyyaadhenyy kanvefa dhiyagoiy (Dewin) Raagun ma ivvaa dheyname vaahaka magey mee Haalegga ulhunyymey asaraa eku mi kiyany (Dewin) Loabi ma vi umuruga emme 18 vee eyru thimaa loabivi eyru nun tho ekugavi feyrigaiy loabima hoadhene gotheh nethe reythah mage dhanvefa dhiyagoiy neygeye dhaakah ma thaneh nethe hiyyvarudheyne meeheh nethe vaakah nu gotheh nethe vaan v gotheh neyngeye hithi raha karunuga veyney libi haaluga hiyyvy ma haarubuve boan v ma sharaabuhe fikura nuwaavaru nethe migothuga dhen kyhtho ma kuraany dhuniye badhal veye huredheyne meehakah ithubaar kurevumun furedhi magah olhi dhiyaey dhuniyein (Toy) Raagun ma ivvaa dheyname vaahaka magey mee Haalegga ulhunyymey asaraa eku mi kiyany (Dewin) Heevi mage dhuniye badhal vevi andhirin vikavaan dhuniyein hiyaalah aihen nidhuney visni hiyaaluga huregen fenuney mashah meeheh aisskairin hutta mashah libuney alikan hithakun hiyyvaru mashah dhine eyna gaathuga huregen bunye migothuga nume dhaashey thiyahen libunu mashah thi filaavalhekeythy (Dewin) Raag ivva dheyname hithuge mi haal Bunibahakun loabi hazaar Huttun nethi karuna mihaar Barubaadhuve dhiya iru haalu? PLEASE LIKE & SUBSCRIBE
#sursadhana #academy #ahmedabad #sargam #alaap #taan #alankar #palta #riyaz #raag #bhairav #performance #practice Sursadhana Academy is an academy for Indian Classical Music founded by Shri Vaibhav Dave 🤍vaibhavdave and Shri Priti Dave in 2016 located at Ahmedabad, Gujarat. Here Students learn Hindustani classical Vocal , Semi-classical vocal and Light Music. Students also learn basics of Harmonium and Tabla along with vocal music. Sursadhana organise Stage performances every year. Apart from academic teaching Sursadhana organise Expert Workshops, Guest Lectures, Riyaz Shivirs during vacations and Class Performances. Facebook Page : 🤍 Instagram : 🤍 Email us on : sursadhanaacademy🤍gmail.com Contact +919427306495 for further details
This is an early morning raga/raag.
Produced - S&S Music Vocal- Soumyojit Piano - Sourendro Songs Raag Yaman - Dnariye acho Raag Shree - Kar milan chao Raag Bihag - Maharajo eki shaje Raag Kafi - Ke boshile aji Raag desh - Esho shyamal sundaro Raag malkauns - Ananda Dhara Raag khamaj - Ami tomae jato Raag Bhimpalasi - Bipulo Tarang re Raag Kedar - Rakho rakho re Raag Bhairavi - Hey Nuton Video - Team S&S Edit - Saikat Music Recorded - Nilabjo Neogi Mixed & Mastered - Goutam Basu 🤍G7 Mixpoint Make up - Moumita FOLLOW SOURENDRO SOUMYOJIT ON YouTube:- 🤍 Facebook:- 🤍 Instagram:- 🤍 Twitter:- 🤍
A short clip of Raag Megh played by Purbayan Chatterjee at Bazm e Khas
The festival of lights is here ✨ This is my first composition for this occasion, ‘Sab Mila Pujata Diwali’ - in Raag Jhinjoti. Let’s celebrate this Diwali with our loved ones with joy, warmth, safety, and hope for a better, brighter tomorrow! Enjoy 😊 #music #composition #new #newmusic #diwali #lights #festival #musical #musician #musicians #harmonium #instrument #instrumental #indianmusic #indianmusicians #instamusic #composer
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Raga Lalit also called Lalat is amongst the older and more popular ragas of the Hindustani system. Lalit is a sweet and mellifluous raga in Hindustani classical music. It is commonly described as serene and devotional and is performed at dawn - between 4am and 6am. The raga Lalit belongs to Poorvi Thaat. Other well-known ragas from the Poorvi Thaat are Paraj, Poorvi, Puriya Dhanashree, Shree etc. So clearly there could be ragas from the same thaat but meant for different times of the day. While Paraj and Lalit are morning ragas, we find ragas like Poorvi and Shree which are sung at dusk, but from the same Poorvi Thaat. Lalit evokes the mood of prayer and a certain sense of calm.
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![Raag [Dewi&Toy] Simple Beat change](https://i.ytimg.com/vi/F7LUHdrHDJ0/mqdefault.jpg "Raag [Dewi&Toy] Simple Beat change")
